Quick Music Reviews

This is a list of stuff I am listening to at present. I am going to jump around a lot here. Short or long or whatever. Like the back of a punk magazine. You know, you should read one.

Bad Banana – Crushfield  – Self Released (FREE). I downloaded this ages ago and just listened to it now, tonight. It’s one of them Crutchfield sisters projects you’ve read about in the NY Times and shit cuz being a hipster treasure now makes you news worthy (not a diss on them or their music, but I bet a lot of dick heads are already talking about what sell outs they are). Anyway, the production on this demo sounds pretty low fi, and if you like that stuff, then you’ll love the syrupy pop-crunch punk with almost 90’s indie sound. For me it worked better for Waxahatchee, the low fi production made it intimate. Here it sounds like something they’ve already grown out of and forgotten.

Propagandhi – Failed States Epitaph Records. I want to love this album like I love the last three albums by Canada’s greatest export (next to toothless hockey players) but I am having a hard time with it. Don’t get me wrong, it’s the Prop, so it hits all the points you’d expect. But that’s kind of the problem, it started out with a soft little intro and got all melodic and explosive just like I thought it would. It’s a predictable listen which is not what one expects from these angry anarchists from the north. I love the licks, the riffs, the vocals and the lyrics, but it sounds like the corresponding b-sides to Supporting Caste rather than a fresh effort. I’m trying to find its voice, but I’ll never give up on this band.

Big Eyes Back From The Moon 7″. Grave Mistake Records. There is a comic in Razorcake #69 by Liz Prince who writes the most crush-worthy comics ever. She loves pop punk. She wrote this comic about seeing Big Eyes in NYC. I hate NYC, but I checked out this single and I love it. It’s got that fresh but familiar energy of The Ergs. All the best parts about pop punk and indie rock that makes bands awesome. I also checked out there LP from 2011 (Hard Life) but I like this a bit better. The two songs on this 7″ have a great bit of energy and are just a bit crisper. But you should get into this band if you like to bounce around your living area in your underwear listening to music singing into a hair brush or at yr cats.

White Lung Sorry Deranged. This album smokes. I love this band. This is what music is supposed to be. Energetic, frightening, desperate. White Lung takes you to the edge. I don’t know if I want to kill or cry when I listen to this album. I feel alone, wandering the streets with no purpose, desperate for anything, hand on my pocket knife. No rules. No Cell Phone. Nowhere to go. A lot of bands get recognition outside of punk that is often unwarranted. There are bands that people who have listened and dedicated themselves to the genre know are just temporal and luke warm. White Lung sounds like nothing else and deserve to break the genre ghetto of appreciation. Devastating times call for damaged music. This is what I will be listening to when they finally start that war that ends us all. It’s coming. Here is your soundtrack to die to.

Kamikabe Abberation of Man Unique Leader. This is pure fucking awesome Death Metal and I love it. Working on a metal show I’ve gotten into death metal again and have been revisiting lots of Obituary. This band sounds nothing like them, but reminds me of what it is I first loved about Obituary (who isn’t just one of my favorite metal bands, but one of my favorite bands and Allen West is one of my favorite guitar players). Anyway, Kamikabe kicks it in the face. The kids would probably call this technical death metal. It has some great elements that remind me of Dying Fetus, Cattle Decapitation and Pig Destroyer. But make no mistake, this Pittsburgh five piece is their own band. It’s hard to stand out and be distinguishable in a genre of music that has so many rules and where being tech is so important, but Kamikabe stand out from the crowd.

Aesop Rock Skelathon Rhyme Sayers. It’s an Aesop Rock record, alright. You can’t really say this guy sounds like anything. I don’t even know if it’s hip hop. The musical language that Aesop Rock speaks is his own. And this truly is his album. Almost all the beats, lyrics and sounds are his. Aside from a few vocals from a few other people, he did it all. And it’s a sad sounding album. The Ian Curtis of rap. The Joy Division of hip-hop music. I worry about Ian Bavitz, then he puts out a record and goes on tour.

Swearin’ S/T Salinas Records (FREE). This is a first listen review. Literally listening to it for the first time. It did not come with a download code when I bought the record so I had to find this on the internet, which I was able to over at http://www.ifyoumakeit.com for donation/free. There is a lot of hype about this record and it’s not unfounded. It reminds me off some Discount, Superchunk, The Promise Ring, and a lot of pop-rock indie music that I don’t listen to that much anymore. It’s got that same feel as early Lemuria singles before they went all weird. Swearin’ might be a braver bet, making music that is catchy and accessible. It can be hard to wade in waters already tread and try to find new, interesting stones, but Swearin’ here seems to have confidence in what they are doing. Great work on the warbling vocals too. Someone earns a gold star on mixing for this one. Best aspect of the production that is otherwise straight forward.

Stop Breathing S/T No Idea Records. CHUGGAGHUGGAGHUGGAGHUGGAAHHHHHHHHHHHHH. Are you looking to have your mind blown or are you looking to pedal your ten speed bike as fast as you can down your street like you did when you were ten? IF you want the later, this skate rock inspired, three chord SOCAL punk rock will make you wish for those endless summer days when you didn’t care about anything but 50-50 Stalls on the curb and building the worst launch ramps in history. Nothing fancy, just the essentials. Dated but still timeless. Get those rat bones out kid, yr gonna need the big wheels to grind those curbs.

Post-Teens The Heat No Idea Records. Post Teens has the guitar player from Asshole Parade/Dead Friends +more so I thought this was gonna be heavy, but it’s more like the sloppy, low-fi, pop punk for drunk old dudes that my man Todd Taylor is all into. Oh yeah a dude from Shitstorm/Torche is in this band too. But like they all switch up on instruments and shit. It’s just punk rock music. Six songs, six minutes, it’s a good quick fix. I still wish it was a grind record, but I get the point.

Low Culture S/T Dirt Culture Records (FREE). Ex-member of Shang-A-Lang from Las Cruces New Mexico where they have a place where bands come through and tour instead of Albuquerque because Duke City is a weird town with a weird scene. Jangly guitars, catchy little ditties with a bit of space in there to build some excitement. Gets a little late 90’s pop-emo (the break down in “I Didn’t Know”) for a moment. Bryan Adams would be proud. Or maybe Ryan Adams would be cuz I think these dudes would just be like fuck it. It’s kinda all over the place, kinda like the Ergs because they had a lot of influences. I think they are still exploring all the sounds they are capable of. There’s enough here to make me check them out in the future.

Dan Padilla Sports Fans Dirt Culture Records (FREE). Dan Padilla (the band, not the man) has once again put out an album you can get free. Which makes two in a row. Davey from Tiltwheel/Too Many Daves plays in this band. This album, not quite as exciting as As the Ox Plows. It’s a little too Tim Version without the grit and grime. I liked the hints of sounds and influences of the last album. But I’m just kind of luke warm to this one.

Heathers  Kingdom Aunthill Records. I’m pretty sure that Heathers are the biggest thing in Ireland now and it’s well worth it. Kingdom finds the Macnamara sisters reaching way far out from their humble debut Here Not There. Luckily for me (or them?) I am a huge pop diva fan, because they get in some territory I did not expect, but I love. The bare sound of  an acoustic guitar and vocals are all but gone here. Instead they go all out, relying on a heavy dose of piano and dance beats to make their music now. But the root of what makes Heathers a band that I love is the vocals of Ellie and Louise. The melodies and harmonies are beautiful and striking. So when the duo makes this obvious move to go bigger, they don’t really sacrifice what makes them great, empowering lyrics, solid songs at the core and great singing. I mean masterful singing. This album has been on constantly in my home over the last week and probably will be for quite some time. It’s proof that pop music can be big and grand and sound slick and still be good, if you know how to write a damn song. Ellie and Louise do. I can’t wait to see them rise to heights as great as their talent.

XX Coexist Young Turks. I haven’t been lucid enough before going to bed to really listen to this album the way I want to. But what I have heard so far, I love. I shouldn’t love this. It’s too pretty, weird, soft and subtle for a man in his mid thirties who still thinks BEING LOUD AS FUCK is a good idea. Other reviews that I have read call this record even more minimal than their self titled debut, but I don’t find it that way at all. I think there is a subtle quality to the production that is amazing. It also helps that this trio fell in love with Sade, whose work I am both familiar with and a fan of. The influence shines through on some of their “bigger” songs (“Swept Away” and “Reunion”). This album also has a shit load more space in which the band finds a grove. The debut, while beautiful often felt restricted. For all its empty space, Coexist sounds like a big record. I need to spend more time with this, I feel like it’s getting lost in my collection and I’m pretty sure I love it as much as the first album, just like everyone else.

Tooth Soup Casting off Curses Plan-It-X (only $.66). Chris Clavin is back with a new punk band, but it sounds more like a collective effort then many of his previous works. He’s letting the influence of the other members into his music, songs and lyrics and it’s refreshing. He does what he always does best with the boy/girl vocals of hope, optimism, angst and disappointment wrapped up in a cutting but pleasant bit of pop punk. Tooth Soup probably won’t be your instant favorite, and it wouldn’t be the album I would use to introduce Chris’s work to others with. But it shows maturity in sonic range and will grow on you quickly. The other thing I like is that each member gets a track to share their individuality. All the members have other projects and each gets to display their singularity. It’s a great way to show how it all comes together, how each members sensibility and perspective comes together through insight, communication and compromise to make a whole. That’s pretty damn daring.

Verse Bitter Clarity,Uncommon Grace Bridge 9. I’m not really sure how I feel about this band. I must like them because I keep finding my way to this album. I haven’t looked at a lyric sheet yet, but it feels like that awesome La Dispute record that came out last year that I am in love with (Wildlife, get it here for $8 you won’t regret it if you like stories and came of age in the 90’s). But it feels like this dude has something to say, I just wish I would take the time to figure it out. It’s definitely an album that’s all connected and shit. The songs don’t stand on their own, but become something as a whole piece. There is something distinct and exact about this album that I can’t quite put my finger on. Lots of guitar solos too, which seems weird yet weirdly works here.

Gaza No Absolutes in Human Suffering Blackmarket Activities. From Salt Lake City, Utah, I was really stretched (and still am) how a band could call themselves Gaza. I haven’t done my research yet, but a few people assured me this wasn’t a bunch of straight edge mormon dip shits playing at hardcore and considering my tastes for metal and grindcore I would probably dig this. It’s not the most slaughtering music I have ever heard and it gets a bit metalcore at times (which is a BAD THING) but when they decide to be brutal and awesome and dig the grind, it’s something my ears and angry heart are attracted to. The verdict is still out (two songs reach over six minutes, which even at pummeling speeds seems excessive to me) because I just can’t blindly trust a bunch of privileged white boys who call themselves Gaza. That’s some heavy geo-political implications they are making there. Takes balls. Lets see if they have the ovaries to back that shit up.


More Slow Economy Music

Dan Padilla
As the Ox Plows

Here at the korrupt yrself fbloggesphere we like to pride ourselves on giving our readers a little something extra. A little slap and tickle if you will (go watch Beer Fest right now). And so, as I know times are tough, the kids are cranky, pooping in the tub during bath time, husband wankin’ it to internet porn in the basement after he said he was “ironing”, and the in-laws are on their way up north 95 for a weekend visit while it’s hot, humid and stinky, I, your wonderful guide to the internet musics, am hooking you up once again with some raging, drunk punk rock.

There are a lot of bands like Dan Padilla. I mean, sometimes playing in a band is just about getting with yr bros or lady bros, playing CGE or some variant of that progression and singing about what bums you out. And then, cuz it’s awesome to get in a van and play for other drunken, bummed out, smelly dudes (a note here, dude, as far as I am concerned is a non-gender descriptive word for any person that you would want to hang out with, drink a beer or soda with, talk about comics,  skateboarding, video games, politics, music and unemployment, so lady readers, please include your self in this) you load yr shitty equipment in a van, drive a few hours, pouring water in the radiator just to make it to a cramped basement, where like ten people came and only three paid to see you because seven of them live in the house yr playing at.  That’s what Dan Padilla is for me. Just a band of dudes that I could probably hang out with that play songs I can tap my feet to and if drunk but still lucid enough would sing the one or two lyrics I kinda know loudly with the other drunk, sweaty people in the room.

As the Ox Plows is a perfect description of this album. It’s a hardworking, strong backed collection of songs, that doesn’t quit no matter the odds. It’s not flashy, there aren’t crazy riffs going on, the singer’s not some pavaratti of punk rock or anything and the recording is passable, but not sonically face punching. But none of that shit matters. It’s solid, fun song writing with enough subtle changes and songs that aren’t overbearingly long or complicated to not get boring.

Look, life sucks for a lot of Americans these days. Our government is totally out of control, doing idiotic, senseless things (lets bomb Pakistan instead of helping the flood victims, because in no way will that piss off even more disenfranchised youths who are being lured by radical assholes who are providing them food and shelter FOR FREE, yea, that shit will work. And I voted for you? Seriously? I am a moron), no one can find jobs in the cities they live in, families are torn apart because of this, houses aren’t worth shit, because lets face it the market is more important that having a homestead and hey, those poor banks need more money cuz those CEO’s got mouths to feed and hookers pay and bodies to get rid of. You need Dan Padilla in your life. They know you need them in your life, and like so many of their peers, they are giving away free music. You should check it out, just slap that spoiled child who is urinating on your leg. See, you didn’t even notice that a small human was peeing on you. Yr that preoccupied with the hardships and hard times. Let the punk rock ease yr mind.

New Bruises/The Measure [SA]
Split Release
Kiss of Death

Kiss of Death records is slowly becoming one of my favorite labels. Not only are they working to post ALL of their releases for free on the internet, they are putting out some sick fucking music. They totally fed my wanting desire for more music by No Friends (which incidentally you can also get for free right here) and for that I love then very dearly.

One of the other releases they offered up recently was the New Bruises/The Measure [SA] split release. I got into The Measure [SA] because I bought the double split 7″s they did with The Ergs on No Idea (my favorite record label). I honestly think they are perhaps a bit overhyped. When they cook, they are awesome, but for a punk band they have a tendency to make me very anxious. Now, having said that I am still looking forward to their new LP. On four songs, they get pretty crazy, even slapping out a shout out to Black Flag on “Ruby is A Punk” where they reapporpriate “Rise Above”.  It’s slick, fast paced, and moving music. I actually like the songs on this split more than the stuff on the Ergs. For a four song side, it’s a pretty concise whole. Splits have a tendency to just be a bunch of weird songs that were bashed out for the sole purpose of putting out a record with your bros and lady bros. This is not the case with The Measure [SA] side.

New Bruises, for their part are growing on me. I kind of feel like if I went into this split with an unbiased leaning towards either band I would have a higher interest in them. They certainly make for a good pairing. They are bit more aggressive and boy yelly, which you know, isn’t a bad thing. They just don’t give me a full on rager like the Measure [SA] side. They do exclaim that “you are the Metal in Metallica” on “More Metal (MCFNJ)”, so you know it can’t also be that bad. They also give a nod to Bomb The Music Industry, who gives away more free music than McDonald’s sells hamburgers (if only the world were that awesome) so you know, I would probably bro down with these dudes, take a couple photos at the shows, maybe check out another release. I’m not making any commitments here, but the initial make out session was nice, and I’m open-minded to further engagements.